VANISH IN AN INSTANT by Margaret Millar (ebk)

VANISH IN AN INSTANT.jpg
VANISH IN AN INSTANT.jpg

VANISH IN AN INSTANT by Margaret Millar (ebk)

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In this classic noir tale of blurred guilt and flawed innocence, a cynical lawyer uncovers the desperate lives of a group connected only by a gruesome murder.

Eric Meecham is not an optimistic sort. An old-before-his-time lawyer, scratching out a living in courts and jail houses, he is no stranger to desperate cases and has little faith in anything or anyone. But his brand of existential nihilism isn’t without curiosity, and when he gets a chance to represent a local society woman who’s been arrested for murder under very scandalous circumstances, well, even he can’t help but be engaged.

Cold, austere, and used to having her way, Mrs. Hamilton is more than a little upset at having to travel 40 miles west of Detroit, in the dead of winter, to the small city of Arbana. But her careless daughter Virginia has landed herself in trouble again and Mrs. Hamilton will do anything to keep the family name out of a scandal. But she little understands the gravity of her daughter’s arrest. Virginia was found drunk and underclad in the midst of a white-out snow storm. She was also covered in blood. In a cottage not too far away a married man, father of two, lay brutally stabbed to death.

Earl Loftus is the definition of a hard luck case. Broke and terminally ill, Earl’s life has been one tragedy after another. But the spark of a thoughtful intellect still gleams in his eyes and when Loftus comes forward to confess to the crime that Virginia is accused of, Eric Meecham is instantly skeptical. Could a man like Loftus actually commit such an act? The more Meecham interviews Loftus, the less he thinks it’s possible.

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PRAISE FOR MARGARET MILLAR

Mystery Writers of America Grand Master
Winner of the Edgar Award for Best Novel
Los Angeles Times Woman of the Year

“One of the most original and vital voices in all of American crime fiction.”
—Laura Lippman
 
“No woman in twentieth-century American mystery writing is more important than Margaret Millar.”
—Dorothy B. Hughes, author of In a Lonely Place
 
“I long ago changed my writing name to Ross Macdonald for obvious reasons.”
—Kenneth Millar (Ross Macdonald), in a letter to the Toronto Saturday Night newspaper
 
“Very Original.”
—Agatha Christie

"Stunningly original."
—Val McDermid

“She has few peers, and no superior in the art of bamboozlement.”
—Julian Symons

“Written with such complete realization of every character that the most bitter antagonist of mystery fiction may be forced to acknowledge it as a work of art.”
—Anthony Boucher reviewing Beast in View for the New York Times

“Margaret Millar can build up the sensation of fear so strongly that at the end it literally hits you like a battering ram.”
—BBC

“Wonderfully ingenious.”
—The New Yorker

“Brilliantly superlative… One of the most impressive additions to mystery literature—and the word “literature” is used in its fullest sense.”
—San Francisco Chronicle

“In the whole of crime fiction’s distinguished sisterhood, there is no one quite like Margaret Millar.”
—The Guardian

“A superb writer.”
—H.R.F. Keating  

“She writes minor classics.”
—Washington Post  

“Mrs. Millar doesn't attract fans she creates addicts.”
—Dilys Winn, namesake of the Dilys Award

 

ABOUT THE AUTHOR

Margaret Millar (1915-1994) was the author of 27 books and a masterful pioneer of psychological mysteries and thrillers. Born in Kitchener, Ontario, she spent most of her life in Santa Barbara, California, with her husband Ken Millar, who is better known by his nom de plume of Ross MacDonald. Her 1956 novel Beast in View won the Edgar Allan Poe Award for Best Novel. In 1965 Millar was the recipient of the Los Angeles Times Woman of the Year Award and in 1983 the Mystery Writers of America awarded her the Grand Master Award for Lifetime Achievement. Millar’s cutting wit and superb plotting have left her an enduring legacy as one of the most important crime writers of both her own and subsequent generations.